“Dual Tonicity in Antonio Soler’s Fandango” by B. Mitchell, paper presented at BrumMAC 2021

The paper “Dual Tonicity in Antonio Soler’s Fandango” by Barry Mitchell was presented at the University of Birmingham Music Analysis conference, July 2021. The full conference programme can be downloaded here: The paper is in the form of a PowerPoint presentation which can be downloaded here: This is the introduction to the paper. Dual Tonicity … Continue reading “Dual Tonicity in Antonio Soler’s Fandango” by B. Mitchell, paper presented at BrumMAC 2021