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	<description>topics in the history and theory of music, music by Barry Mitchell</description>
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		<title>Theory of Music</title>
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		<title>Beethoven&#8217;s Pastoral Symphony conducted by Toscanini</title>
		<link>http://theoryofmusic.wordpress.com/2011/09/15/beethovens-pastoral-symphony-conducted-by-toscanini/</link>
		<comments>http://theoryofmusic.wordpress.com/2011/09/15/beethovens-pastoral-symphony-conducted-by-toscanini/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 21:06:11 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[Beethoven Pastoral symphony streaming audio]]></category>
		<category><![CDATA[historic performances of the pastoral symphony]]></category>
		<category><![CDATA[historic recordings of Beethoven]]></category>
		<category><![CDATA[listen to Toscanini recordings]]></category>
		<category><![CDATA[recordings by Arturo Toscanini]]></category>
		<category><![CDATA[romantic programme music]]></category>
		<category><![CDATA[Toscanini conducts Beethoven]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1157</guid>
		<description><![CDATA[Beethoven&#8217;s Symphony No. 6 (The Pastoral) performed by the Philharmonia orchestra and conducted by Arturo Toscanini. Recording date unknown. Transcribed from 78 rpm shellac disks by Barry Mitchell. First movement.  Eveil d&#8217;impressions agréable en arrivant à la campagne. Second movement.  Scène au bord du ruisseau. Third movement.  Réunion joyeuse de paysans.  Fourth movement. Orage.  Tempête. Fifth [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1157&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Beethoven&#8217;s Symphony No. 7 conducted by Alceo Galliera</title>
		<link>http://theoryofmusic.wordpress.com/2011/09/10/beethovens-symphony-no-7-conducted-by-alceo-galliera/</link>
		<comments>http://theoryofmusic.wordpress.com/2011/09/10/beethovens-symphony-no-7-conducted-by-alceo-galliera/#comments</comments>
		<pubDate>Sat, 10 Sep 2011 18:35:15 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[Beethoven Symphony No 7 complete]]></category>
		<category><![CDATA[Beethoven Symphony No 7 streaming audio]]></category>
		<category><![CDATA[conductor Alceo Galliera]]></category>
		<category><![CDATA[historic recordings of Beethoven]]></category>
		<category><![CDATA[recordings by the Philharmonia orchestra]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1159</guid>
		<description><![CDATA[Beethoven&#8217;s Symphony No. 7 performed by the Philharmonia Orchestra and conducted by Alceo Galleria. Date of recording unknown. Transcribed from 78 rpm shellac disks by Barry Mitchell. First movement Second movement Third movement Fourth movement Filed under: historic performances, history of Romantic music, recordings, sources for the study of Beethoven Tagged: Beethoven Symphony No 7 complete, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1159&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
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			<media:title type="html">Barry</media:title>
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		<title>Beethoven Coriolan overture conducted by Furtwangler</title>
		<link>http://theoryofmusic.wordpress.com/2010/12/06/beethoven-coriolan-overture-conducted-by-furtwangler/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/12/06/beethoven-coriolan-overture-conducted-by-furtwangler/#comments</comments>
		<pubDate>Mon, 06 Dec 2010 13:12:55 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[Beethoven and literature]]></category>
		<category><![CDATA[Beethoven's Coriolan overture complete audio]]></category>
		<category><![CDATA[Furtwangler conducts Beethoven's Coriolan]]></category>
		<category><![CDATA[Furtwangler's 78rpm recordings]]></category>
		<category><![CDATA[interpreting Beethoven]]></category>
		<category><![CDATA[streaming audio of Furtwangler conducting]]></category>
		<category><![CDATA[the Vienna Philharmonic historic recordings]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1147</guid>
		<description><![CDATA[Beethoven&#8217;s Coriolan overture performed by the Vienna Philharmonic Orchestra conducted by Wilhelm Furtwangler. Transferred from shellac 78 rpm discs by Barry Mitchell. Filed under: historic performances, recordings Tagged: Beethoven and literature, Beethoven's Coriolan overture complete audio, Furtwangler conducts Beethoven's Coriolan, Furtwangler's 78rpm recordings, interpreting Beethoven, streaming audio of Furtwangler conducting, the Vienna Philharmonic historic recordings<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1147&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Barry</media:title>
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			<media:title type="html">Wilhelm Furtwangler by Emil Orlik, 1928.</media:title>
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		<title>Transforming Beethoven’s Christus am Ölberge, abstract</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/30/transforming-beethoven%e2%80%99s-christus-am-olberge-abstract/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/30/transforming-beethoven%e2%80%99s-christus-am-olberge-abstract/#comments</comments>
		<pubDate>Tue, 30 Nov 2010 10:25:32 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[articles by Barry Mitchell]]></category>
		<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[music in the classical period]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[Beethoven and England]]></category>
		<category><![CDATA[Christ on the Mount of Olives]]></category>
		<category><![CDATA[history of the oratorio]]></category>
		<category><![CDATA[important German oratorios]]></category>
		<category><![CDATA[J Alfred Novello music publisher]]></category>
		<category><![CDATA[the history of German religious music]]></category>
		<category><![CDATA[the oratorio after Handel]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1384</guid>
		<description><![CDATA[This is the abstract of a paper presented at the third Rose Bruford College International Conference Music and Stage, 23-24 October 2010.  The paper as presented differs in emphasis from the abstract as it focuses on the issue of the reception in Victorian Britain of the  representation of Jesus in music dramas. Abstract Title: Transforming Beethoven’s Christus am Ölberge [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1384&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Barry</media:title>
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		<item>
		<title>Felix Weingartner conducts The Death of Clarchen from Egmont</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/24/felix-weingartner-conducts-the-death-of-clarchen-from-egmont/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/24/felix-weingartner-conducts-the-death-of-clarchen-from-egmont/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 13:30:47 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[78 rpm recordings by Felix Weingartner]]></category>
		<category><![CDATA[Beethoven conducted by Felix Weingartner]]></category>
		<category><![CDATA[extract from Beethoven's Egmont]]></category>
		<category><![CDATA[London Philharmonic Orchestra recordings]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1155</guid>
		<description><![CDATA[The Death of Clarchen from Beethoven&#8217;s Egmont.  Felix Weingartner conducts the London Philharmonic Orchestra.  Transferred from shellac discs by Audio Transfers.  Images courtesy of Wikimedia Commons.   Filed under: historic performances, recordings Tagged: 78 rpm recordings by Felix Weingartner, Beethoven conducted by Felix Weingartner, extract from Beethoven's Egmont, London Philharmonic Orchestra recordings<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1155&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Barry</media:title>
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			<media:title type="html">Felix Weingartner, 1900.</media:title>
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			<media:title type="html">Egmont and Clarchen</media:title>
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		<item>
		<title>Dinu Lipatti last recital streaming audio</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/22/dinu-lipatti-last-recital-streaming-audio/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/22/dinu-lipatti-last-recital-streaming-audio/#comments</comments>
		<pubDate>Mon, 22 Nov 2010 11:34:33 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[Dinu Lipatti playing Bach]]></category>
		<category><![CDATA[Dinu Lipatti playing Mozart]]></category>
		<category><![CDATA[Dinu Lipatti playing Schubert's impromptus]]></category>
		<category><![CDATA[Dinu Lipatti's last recital]]></category>
		<category><![CDATA[famous recordings by great pianists]]></category>
		<category><![CDATA[great 20th century pianists]]></category>
		<category><![CDATA[recordings by Dinu Lipatti]]></category>
		<category><![CDATA[streaming audio of Dinu Lipatti's last recital]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1864</guid>
		<description><![CDATA[The recording of the last recital given by Dinu Lipatti (1917-1950).  Lipatti gave this recital at Besançon in France in September 1950. JS Bach Partita No 1 in B flat major Prelude Allemande Courante Sarabande Minuets 1 and 2 Gigue Mozart Sonata No 8 in A minor, K 310 First movement, Allegro maestoso Second movement, Andante cantabile con [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1864&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Barry</media:title>
		</media:content>

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			<media:title type="html">Dinu Lipatti portrait</media:title>
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		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/dinu_lipatti-portrait1.jpg?w=226" medium="image">
			<media:title type="html">Dinu Lipatti playing.</media:title>
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		</media:content>

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	</item>
		<item>
		<title>Gigli in Puccini’s La bohème, complete recording part 2, La Scala orch. c. 1932</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/16/gigli-in-puccini%e2%80%99s-la-boheme-complete-recording-part-2-la-scala-orch-c-%c2%a01932/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/16/gigli-in-puccini%e2%80%99s-la-boheme-complete-recording-part-2-la-scala-orch-c-%c2%a01932/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 10:16:38 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[Gigli in La boheme complete recording]]></category>
		<category><![CDATA[Gigli sings Puccini's La boheme complete]]></category>
		<category><![CDATA[Gigli sings Rodolfo in La boheme]]></category>
		<category><![CDATA[Gigli with La Scala in La Boheme]]></category>
		<category><![CDATA[historic recordings from La Scala]]></category>
		<category><![CDATA[La boheme 78rpm recording Baronte and Baracchi]]></category>
		<category><![CDATA[La boheme complete free streaming audio]]></category>
		<category><![CDATA[mp3 of complete La boheme Menotti and Albanese]]></category>
		<category><![CDATA[Puccini's La boheme complete recording 1932]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1793</guid>
		<description><![CDATA[Streaming audio, Gigli in La bohème, recorded c. 1932.  Acts III and IV.  Acts I and II are available in a separate post.  The Orchestra of La Scala Milan conducted by Umberto Berrettoni.  Singers: Beniamino Gigli (as Rodolfo), Menotti, Poli, Albanese, Baracchi and Baronti.  La bohème Opera in four scenes.  Music by Giacomo Puccini (1858-1924).  Libretto [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1793&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
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			<media:title type="html">Beniamino_Gigli_1</media:title>
		</media:content>

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			<media:title type="html">Barry</media:title>
		</media:content>

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	</item>
		<item>
		<title>Gigli in Puccini&#8217;s La bohème, complete recording part 1, La Scala orch. c. 1932</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/07/gigli-in-puccinis-la-boheme-complete-recording-part-1-la-scala-orch-c-1932/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/07/gigli-in-puccinis-la-boheme-complete-recording-part-1-la-scala-orch-c-1932/#comments</comments>
		<pubDate>Sun, 07 Nov 2010 18:04:19 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[historic performances]]></category>
		<category><![CDATA[recordings]]></category>
		<category><![CDATA[Gigli in La boheme complete recording]]></category>
		<category><![CDATA[Gigli sings Puccini's La boheme complete]]></category>
		<category><![CDATA[Gigli sings Rodolfo in La boheme]]></category>
		<category><![CDATA[Gigli with La Scala in La Boheme]]></category>
		<category><![CDATA[historic recordings from La Scala]]></category>
		<category><![CDATA[La boheme 78rpm recording Baronte and Baracchi]]></category>
		<category><![CDATA[La boheme complete free streaming audio]]></category>
		<category><![CDATA[mp3 of complete La boheme Menotti and Albanese]]></category>
		<category><![CDATA[Puccini's La boheme complete recording 1932]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1149</guid>
		<description><![CDATA[Streaming audio, Gigli in La bohème, recorded c. 1932.  Acts I and II.  Acts III and IV are available in a separate post. The Orchestra of La Scala Milan conducted by Umberto Berrettoni.  Soloists: Beniamino Gigli (as Rodolfo), Menotti, Poli, Albanese, Baracchi and Baronti.  Illustrations of the set and prop designs by Adolf Hohenstein for the first performance. La bohème [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1149&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
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		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/giacomopuccini.jpg?w=73" medium="image">
			<media:title type="html">Giacomo Puccini (1858-1924)</media:title>
		</media:content>

		<media:content url="http://0.gravatar.com/avatar/6f18c3ddaa2ad95989258af8125dc7a1?s=96&#38;d=http%3A%2F%2F0.gravatar.com%2Favatar%2Fad516503a11cd5ca435acc9bb6523536%3Fs%3D96&#38;r=G" medium="image">
			<media:title type="html">Barry</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/beniamino_gigli_1.jpg" medium="image">
			<media:title type="html">Beniamino_Gigli_1</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la_boheme_act_i_set.jpg" medium="image">
			<media:title type="html">La_Boheme_Act_I_set</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la_boheme_act_ii_set.jpg" medium="image">
			<media:title type="html">La_Boheme_Act_II_set</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la_boheme_act_ii_props_2.jpg" medium="image">
			<media:title type="html">La_Boheme_Act_II_props_2</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la_boheme_mimi_costume.jpg" medium="image">
			<media:title type="html">La_Boheme_Mimi_Costume</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la_boheme_rappezzatrice_costume.jpg" medium="image">
			<media:title type="html">La_Boheme_Rappezzatrice_Costume</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la-boheme-act-1.mp3" medium="audio">
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		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/la-boheme-act-2.mp3" medium="audio">
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		<item>
		<title>German and English texts of Beethoven&#8217;s Christus am Ölberge</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/05/german-and-english-texts-of-beethovens-christus-am-olberge/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/05/german-and-english-texts-of-beethovens-christus-am-olberge/#comments</comments>
		<pubDate>Fri, 05 Nov 2010 16:47:19 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[music in the classical period]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[Beethoven and England]]></category>
		<category><![CDATA[Beethoven and religion]]></category>
		<category><![CDATA[Beethoven's religious beliefs]]></category>
		<category><![CDATA[Christ on the Mount of Olives]]></category>
		<category><![CDATA[Christus am Olberge German text]]></category>
		<category><![CDATA[English translation of Christus am Olberge]]></category>
		<category><![CDATA[libretto of Christus am Olberge]]></category>
		<category><![CDATA[Mount of Olives complete text]]></category>
		<category><![CDATA[performances of Mount of Olives in Britain]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1648</guid>
		<description><![CDATA[ The German text is in bold.  The names of characters and the number descriptions are given in English only.  The English text is first followed by the original German text.  There is another post on theoryofmusic with the two texts in parallel in a table. Christ on the Mount of Olives Christus am Ölberge Jesus Recitative [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1648&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Barry</media:title>
		</media:content>
	</item>
		<item>
		<title>German text of Beethoven&#8217;s Christus am Ölberge</title>
		<link>http://theoryofmusic.wordpress.com/2010/11/03/german-text-of-beethovens-christus-am-olberge/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/11/03/german-text-of-beethovens-christus-am-olberge/#comments</comments>
		<pubDate>Wed, 03 Nov 2010 10:44:05 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[music in the classical period]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[Beethoven and religion]]></category>
		<category><![CDATA[Beethoven's choral writing]]></category>
		<category><![CDATA[bible texts set to music]]></category>
		<category><![CDATA[Christ on the Mount of Olives]]></category>
		<category><![CDATA[Christus am Olberge German text]]></category>
		<category><![CDATA[Franz Huber as librettist]]></category>
		<category><![CDATA[libretto of Christus am Olberge]]></category>
		<category><![CDATA[music and Christianity]]></category>
		<category><![CDATA[the history of settings of the Passion]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1657</guid>
		<description><![CDATA[Christus am Ölberge Christus Recitativ und Arie Jehovah, du mein Vater&#8217; o sende Trost und Kraft und Stärke mir!  Sie nahet nun, doe Stunde meiner Leiden, von mir erkoren schon, noch eh&#8217; die welt auf dein Geheiss dem Chaos sich entwand.  Ich höre deines Seraphs Donnerstimme.  Sie fordert auf, wer statt der Menschen sich vor [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1657&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Barry</media:title>
		</media:content>
	</item>
		<item>
		<title>Venice Canaletto and his Rivals, The National Gallery Oct 2010</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/31/venice-canaletto-and-his-rivals-the-national-gallery-oct-2010/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/31/venice-canaletto-and-his-rivals-the-national-gallery-oct-2010/#comments</comments>
		<pubDate>Sun, 31 Oct 2010 20:09:52 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[articles by Barry Mitchell]]></category>
		<category><![CDATA[art and the Grand Tour]]></category>
		<category><![CDATA[Canaletto and his patrons]]></category>
		<category><![CDATA[Canaletto and his rivals]]></category>
		<category><![CDATA[Canaletto at the National Gallery 2010]]></category>
		<category><![CDATA[exhibitions at the National Gallery]]></category>
		<category><![CDATA[Italian painting at the National Gallery]]></category>
		<category><![CDATA[the paintings of Bernardo Bellotto]]></category>
		<category><![CDATA[the paintings of Franceso Guardi]]></category>
		<category><![CDATA[the paintings of Michele Marieschi]]></category>
		<category><![CDATA[the vedute genre in painting]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1695</guid>
		<description><![CDATA[Venice Canaletto and his Rivals The National Gallery  13 October 2010 &#8211; 16 January 2011     This is an exhibition of paintings by Giovanni Antonio Canal (Canaletto) and his contemporaries.  The idea behind the exhibition is to show Canaletto&#8217;s work in the context of similar works from the same period.  All the paintings are views [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1695&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Barry</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/800px-canaletto_ii_021.jpg" medium="image">
			<media:title type="html">Regata on the Grand Canal by Canaletto.</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/800px-canaletto_ii_013.jpg" medium="image">
			<media:title type="html">The Grand Canal at Rialto Bridge by Canaletto.</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/800px-church_of_santa_maria_venice.jpg" medium="image">
			<media:title type="html">Santa Maria della Salute by Michele Marieschi</media:title>
		</media:content>

		<media:content url="http://theoryofmusic.files.wordpress.com/2010/11/495px-francesco_guardi_045.jpg" medium="image">
			<media:title type="html">Santa Maria della Salute by Francesco Guardi.</media:title>
		</media:content>
	</item>
		<item>
		<title>English translation of Beethoven&#8217;s Christus am Ölberge</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/28/english-translation-of-beethovens-christus-am-olberge/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/28/english-translation-of-beethovens-christus-am-olberge/#comments</comments>
		<pubDate>Thu, 28 Oct 2010 16:48:04 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[music in the classical period]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[19th century British music festivals]]></category>
		<category><![CDATA[Beethoven and England]]></category>
		<category><![CDATA[Beethoven and religion]]></category>
		<category><![CDATA[Beethoven's choral writing]]></category>
		<category><![CDATA[Beethoven's religious beliefs]]></category>
		<category><![CDATA[English translation of Christus am Olberge]]></category>
		<category><![CDATA[Mount of Olives complete text]]></category>
		<category><![CDATA[reception of Beethoven's Mount of Olives]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1652</guid>
		<description><![CDATA[Christ on the Mount of Olives Jesus Recitative and Aria Jehovah, Thou my Father, as Thou hast power, give me strength to bear! Now in this hour sorrowful is my grief.  I have glorified Thee.  Even before Thy command, from chaos the world was formed. The voices of Thy seraphs now thunder commanding him who [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1652&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Barry</media:title>
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	</item>
		<item>
		<title>Performances of Mount of Olives in Britain during the 19th century</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/27/performances-of-mount-of-olives-in-britain-during-the-19th-century/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/27/performances-of-mount-of-olives-in-britain-during-the-19th-century/#comments</comments>
		<pubDate>Wed, 27 Oct 2010 16:33:02 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[music in the classical period]]></category>
		<category><![CDATA[sources for the study of Beethoven]]></category>
		<category><![CDATA[19th century British music festivals]]></category>
		<category><![CDATA[Beethoven and England]]></category>
		<category><![CDATA[Beethoven and religion]]></category>
		<category><![CDATA[Beethoven's choral writing]]></category>
		<category><![CDATA[Beethoven's religious beliefs]]></category>
		<category><![CDATA[performances of Mount of Olives in Britain]]></category>
		<category><![CDATA[programmes of British choral festivals]]></category>
		<category><![CDATA[reception of Beethoven's Mount of Olives]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1645</guid>
		<description><![CDATA[Some British performances of Beethoven&#8217;s oratorio Mount of Olives, 1814-1890. 1814       Theatre Royal, Drury Lane, London. 1819       Edinburgh Musical Festival, Parliament House.    1823       Liverpool Grand Musical Festival.    1832       As Cristo Sull Oliveto. London, The King’s Theatre.  Performed by the united Companies of the Italian French and German artists the theatre accompanied by Bands of the Opera, Ancient Music and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1645&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Barry</media:title>
		</media:content>
	</item>
		<item>
		<title>Clara Schumann to Brahms, 3 May 1859</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/14/clara-schumann-to-brahms-3-may-1859/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/14/clara-schumann-to-brahms-3-may-1859/#comments</comments>
		<pubDate>Thu, 14 Oct 2010 12:56:30 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[sources for the study of Brahms]]></category>
		<category><![CDATA[Brahms Schumann correspondence]]></category>
		<category><![CDATA[career of Clara Schumann]]></category>
		<category><![CDATA[Clara Schumann in England]]></category>
		<category><![CDATA[Clara Schumann in London]]></category>
		<category><![CDATA[Clara Schumann on Joachim's music]]></category>
		<category><![CDATA[Clara Schumann on tour]]></category>
		<category><![CDATA[Clara's relationship with Brahms]]></category>
		<category><![CDATA[letters of Clara and Robert Schumann]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1566</guid>
		<description><![CDATA[CLARA to Brahms. London, May 3. [1859] I wanted to write to you directly after the Philharmonic Concert yesterday, but I was so tired that the pen almost fell from my hands.  I had been listening to the Concerto [Joachim's Hungarian Concerto, Op. 11] with the very closest attention, the more so as I was [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1566&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Barry</media:title>
		</media:content>

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			<media:title type="html">Clara Schumann</media:title>
		</media:content>
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		<title>Clara Schumann to Brahms, 11 Jan 1867</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/11/clara-schumann-to-brahms-11-jan-1867/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/11/clara-schumann-to-brahms-11-jan-1867/#comments</comments>
		<pubDate>Mon, 11 Oct 2010 16:01:57 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[sources for the study of Brahms]]></category>
		<category><![CDATA[Brahms and his critics]]></category>
		<category><![CDATA[Brahms and his publishers]]></category>
		<category><![CDATA[Brahms Deutsches Requiem]]></category>
		<category><![CDATA[Brahms Schumann correspondence]]></category>
		<category><![CDATA[career of Clara Schumann]]></category>
		<category><![CDATA[Clara's relationship with Brahms]]></category>
		<category><![CDATA[letters of Clara and Robert Schumann]]></category>
		<category><![CDATA[reception of Brahms in Germany]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1559</guid>
		<description><![CDATA[CLARA to Brahms DÜSSELDORF,  Jan. 11 [1867] [DEAREST JOHANNES] &#8230;The donkey in question is Bagge-! Of course I did not speak to Härtels about it, I have your pride too much at heart. Julie is not going with me. She feels very comfortable at Frau Feidel&#8217;s. She is learning a good deal of ensemble playing [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1559&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Barry</media:title>
		</media:content>

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			<media:title type="html">Clara Schumann</media:title>
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	</item>
		<item>
		<title>Clara Schumann to Brahms, 5 May 1876</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/11/clara-schumann-to-brahms-5-may-1876/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/11/clara-schumann-to-brahms-5-may-1876/#comments</comments>
		<pubDate>Mon, 11 Oct 2010 09:16:04 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[sources for the study of Brahms]]></category>
		<category><![CDATA[Brahms Schumann correspondence]]></category>
		<category><![CDATA[career of Clara Schumann]]></category>
		<category><![CDATA[Clara Schumann and Schubert]]></category>
		<category><![CDATA[Clara Schumann's opinion of Liszt]]></category>
		<category><![CDATA[Clara's relationship with Brahms]]></category>
		<category><![CDATA[description of a performance by Liszt]]></category>
		<category><![CDATA[letters of Clara and Robert Schumann]]></category>
		<category><![CDATA[Liszt and JS Bach]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1575</guid>
		<description><![CDATA[CLARA to Brahms BERLIN, May 5, 11 [1876] IN DEN ZELTEN. DEAREST JOHANNES Here I am once more at home and my first letter is to send you my best wishes for the 7th of May &#8211; how often now have I been obliged to convey my birthday wishes to you on paper, which seems so [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1575&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Barry</media:title>
		</media:content>

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			<media:title type="html">Clara Schumann</media:title>
		</media:content>
	</item>
		<item>
		<title>Clara Schumann to Brahms, 4 April 1876</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/10/clara-schumann-to-brahms-4-april-1876/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/10/clara-schumann-to-brahms-4-april-1876/#comments</comments>
		<pubDate>Sun, 10 Oct 2010 19:46:11 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[sources for the study of Brahms]]></category>
		<category><![CDATA[Brahms F minor quintet played in London]]></category>
		<category><![CDATA[career of Clara Schumann]]></category>
		<category><![CDATA[Clara Schumann in England]]></category>
		<category><![CDATA[Clara Schumann in London]]></category>
		<category><![CDATA[Clara Schumann on tour]]></category>
		<category><![CDATA[Clara's relationship with Brahms]]></category>
		<category><![CDATA[the reception of Brahms in London]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1571</guid>
		<description><![CDATA[CLARA to Brahms. 14, Hyde Park Gate, LONDON, April 4. DEAREST JOHANNES, I have not written to you for a long time &#8211; I could not on account of my arm.  But I cannot rest to-day before having told you what pleasure I had yesterday.  We played your F minor Quintet and had a tremendous [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1571&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Barry</media:title>
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			<media:title type="html">Clara Schumann</media:title>
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		<title>Clara Schumann to Brahms, 17 April 1864</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/10/clara-schumann-to-brahms-17-april-1864/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/10/clara-schumann-to-brahms-17-april-1864/#comments</comments>
		<pubDate>Sun, 10 Oct 2010 19:13:28 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[sources for the study of Brahms]]></category>
		<category><![CDATA[Brahms Schumann correspondence]]></category>
		<category><![CDATA[career of Clara Schumann]]></category>
		<category><![CDATA[Clara Schumann in Russia]]></category>
		<category><![CDATA[Clara Schumann on Rubinstein]]></category>
		<category><![CDATA[Clara Schumann on tour]]></category>
		<category><![CDATA[Clara's relationship with Brahms]]></category>
		<category><![CDATA[conditions in 19th century Russia]]></category>
		<category><![CDATA[letters of Clara and Robert Schumann]]></category>
		<category><![CDATA[music in 19th century Russia]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1580</guid>
		<description><![CDATA[CLARA to Brahms. Moscow, 17-24 April [1864] [DEAR JOHANNES] &#8230;One sees nothing but populace all round, dirty ragged men and women, and what one hears about their habits really makes one shudder. The civilisation of the people is on a much lower plane that we outside Russia have any idea of. And yet with the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1580&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Barry</media:title>
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			<media:title type="html">Clara Schumann</media:title>
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		<title>Richmond Concert Society, Brahms and Schubert, 28 September 2010</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/03/richmond-concert-society-brahms-and-schubert-28-september-2010/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/03/richmond-concert-society-brahms-and-schubert-28-september-2010/#comments</comments>
		<pubDate>Sun, 03 Oct 2010 12:05:34 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[articles by Barry Mitchell]]></category>
		<category><![CDATA[concert reviews]]></category>
		<category><![CDATA[analysis of the slow movement of Schubert's Octet]]></category>
		<category><![CDATA[Brahms clarinet quintet op. 115]]></category>
		<category><![CDATA[Con Tempo String Quartet Brahms review]]></category>
		<category><![CDATA[Emma Johnson and Friends Brahms clarinet quintet review]]></category>
		<category><![CDATA[Emma Johnson and Friends Schubert Octet review]]></category>
		<category><![CDATA[form of the slow movement of Schubert's Octet]]></category>
		<category><![CDATA[late masterpieces by Brahms]]></category>
		<category><![CDATA[Richmond Concert Society 2010/11 season]]></category>
		<category><![CDATA[romantic masterpieces for clarinet]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1585</guid>
		<description><![CDATA[Richmond Concert Society , Emma Johnson and Friends, Brahms and Schubert, 28 September 2010 On Tuesday 28 September 2010 at All Hallows Church, Twickenham, Emma Johnson and Friends performed a programme of music by Brahms and Schubert. There were two works in the programme: Brahms&#8217; Clarinet Quintet in B minor, Op. 115 and Schubert&#8217;s Octet [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1585&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Barry</media:title>
		</media:content>
	</item>
		<item>
		<title>Clara Schumann to Brahms, 2 June 1874</title>
		<link>http://theoryofmusic.wordpress.com/2010/10/01/clara-schumann-to-brahms-2-june-1874/</link>
		<comments>http://theoryofmusic.wordpress.com/2010/10/01/clara-schumann-to-brahms-2-june-1874/#comments</comments>
		<pubDate>Fri, 01 Oct 2010 16:43:17 +0000</pubDate>
		<dc:creator>Barry Mitchell</dc:creator>
				<category><![CDATA[history of Romantic music]]></category>
		<category><![CDATA[sources for the study of Brahms]]></category>
		<category><![CDATA[Brahms on Schumann's Faust]]></category>
		<category><![CDATA[Clara's relationship with Brahms]]></category>
		<category><![CDATA[monuments to great composers]]></category>
		<category><![CDATA[musical amateurs in the 19th century]]></category>
		<category><![CDATA[reception of Schumann's music in Berlin]]></category>
		<category><![CDATA[Robert Schumann's tombstone]]></category>
		<category><![CDATA[Schumann's Faust in Berlin]]></category>
		<category><![CDATA[the emergence of professionalism in music]]></category>

		<guid isPermaLink="false">http://theoryofmusic.wordpress.com/?p=1552</guid>
		<description><![CDATA[Clara to Brahms TEPLITZ, June 2. [1874] Dearest Johannes, &#8230;Have you, in your part of the world, heard about the proposal for a new tombstone? My one fear is that they will produce something in bad taste. What I should like above all is something quite simple. You know my views about monuments, which, in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theoryofmusic.wordpress.com&amp;blog=1928050&amp;post=1552&amp;subd=theoryofmusic&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Barry</media:title>
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